"When I find a character with lights and shadows, with strong contrasts, I always want to do it, I like these roles, but they have happened to me a few times in these years. I am certainly a bad girl in this film in which I play Anna, and then I was in the role of Veronica Castello in the TV series 1992 and 1993 ". So Miriam Leone - who makes no mention of his Eva Kant in 'Diabolik' by Manetti Bros - in a remote press conference to present the film by Emiliano Corapi, L'amore a domicilio, already at the Bif & st - Bari International Film Festival and from June 10 on Prime Video.
And adds the Lion, beautiful, without any habit, and equally intelligent: "These bad girls that I happened to play are all characters that fascinate me for their choice to always take the wrong way, also because perhaps they are the most distant women from my character. But this is basically the beauty of cinema ". Born in 1985 and Miss Italy in 2008, the actress in the Corapi film is Anna, a girl who finds herself under house arrest in Rome for robbery. However, a woman full of initiative who, when she meets Renato (Simone Liberati), a sad insurer who lives in a sad apartment with her father even more sad, does not fail to have a story with him, perhaps only for interest. One thing that will create a real earthquake in the good guy, completely unprepared to have a relationship with a woman so beautiful that he never imagined he could afford. However, Renato has on his side the fact that his beautiful Anna, forced into the house as she is, has no chance of meeting other men.
"To prepare myself for the character of Anna, for this animal in a cage that always growls, I went back to the memories of my childhood in Catania when I studied with the Benedictines and met some immature, not very savvy characters to whom I was inspired in the end", says the actress of this film shot and set in Rome. How did Anna's house arrest and then the isolation from Covid-19 go through? "Of course, the world in lockdown seems almost an even too invasive promotion for this film - jokes the actress -. I did a lot of sport and then we have to manage boredom, but the most important thing I learned in this period is that in the end , beyond ordinary life, few people really matter. "
The cinema? "It may also be something that happens as happened to Lucia Bosè who initially worked as a cashier - he says - but one thing is certain: landing by chance or getting there through the study is not proportional to the results". The future of the room? "It must be said that before the lockdown the sofa was already competing with the hall. I love going to the cinema and I really miss seeing a movie in the hall, but I also like to do the same thing on the sofa of my house. Who knows what will happen, I know we talk about arenas and drive-ins, we'll see. "
Renato's fear of losing his beloved Anna? "We are all afraid of losing something important, we are not eternal - says the actress -. If you put yourself in the game this always happens, in short it is a fear that everyone has experienced".