Two of them were missing from our inventory of Parisian orchestras, at least during the brief window where we had the illusion of a "normal" musical life ... After adding the Orchester de chambre de Paris to our album (OCP) and the Orchester national d'Île-de-France (Ondif), there is nothing to change in the diagnosis made following the first back-to-school concerts: strictly musically, the only one that depends entirely on of them, our training is going well!
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For his first opening of the season as musical director of the OCP, at the Théâtre des Champs-Élysées, pianist Lars Vogt, who we discovered as conductor, immediately seduced by his musical vision, as much as by his ability to express it.
His slightly awkward gesture betrays the instrumentalist recently passed to the baton, but that is not the important thing.
With a chamber orchestra, you don't need an ex cathedra maestro, but a musician who provokes dialogue and mutual listening, letting the orchestra express itself while printing.
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