“Saviors”, “saviors”, is the title of Green Day’s new studio album, available this Friday.
A record which will undoubtedly not save, despite its statement, rock, currently struggling in terms of popularity compared to urban music.
But is this what we expect from the American trio, who came from the depths of Californian punk to become one of the biggest sellers in the world, 75 million records sold in more than 36 years of career, all the same?
For this 14th studio opus, “Green Day” returns to basics, after a confusing “Father of All Motherfuckers” – we'll spare you the translation – which was released just before the whole world went into lockdown, in February 2020, therefore quickly written off.
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To summarize, “Saviors” combines the anger and the melody of “Dookie”, which introduced the Americans in 1994, coupled with the questions and clear observations of “American Idiot”, a consecration record released ten years ago. later.
Watch the music video (at the violent end, watch out!) for “The American Dream Is Killing Me,” and you’ll understand everything.
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