A voice-over asks the public to turn off the laptops, insisting malignantly on the suffering he will feel to separate for an hour and a half from these addictive objects. Then Vincent Dedienne goes to the front stage passing through a small door, and explains at length that after a lively debate between stakeholders of the show and some failed attempts to establish a text, there will be no prologue . We are already well established in another world when the curtain opens, and a dizzying decor appears worthy of an engraving by Piranesis.
The entire height of the theater is exploited, the immense walls are simply covered with the technical device - ropes and gangways - which usually supplies the stage with sets. Dark and shiny decor at the same time: it looks like the black eye of space and time cast on our poor lives. On the stage, a jumble scientist holds the attic of the castle, the shed of the Grévin museum, the photocopier room transformed into a storage room. of the
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