Odenthal crime scene: They can't care - about neglected children and bad parents

The Odenthal crime scene "Leonessa" tells about neglected children and hopelessly bad parents.

• TV criticism of the Odenthal crime scene in the ARD
• Crime scene about neglected children and hopelessly bad parents
  
• Slightly confused and a little too expected

The new Lena Odenthal crime scene takes on the mysterious title "Leonessa". He explains that Leon and Vanessa, two young people neglected by their parents, are called along the lines of Brangelina as a quasi inseparable duo. It is not surprising that nobody does it in the film: Brad Pitt and Angelina Jolie are a thing of the past, at least for teenagers. And especially for the teenagers who play the leading roles here and whose lives are very tough - a toughness that they try to counter with a coolness that cannot completely hide their despair.

Odenthal crime scene on the ARD: "Does one have to die first for you to come?"

The "Saloon" by Hans & Hanne, heartily decorated in the Western style, in which Hans is shot at the beginning of the film, lies in a sad, dirty concrete block. The young people often hang out in front of it, buy alcoholic beverages and also get them from the pub owner couple, supposedly so that they don't take anything "worse".

Vanessa pushes a hundred over the counter; the Commissioner immediately wonders where a child whose parents live from Hartz IV have so much money from.

TV criticism of the Odenthal crime scene on the ARD: "That's a pub here, that's normal"

"Crime scene: Leonessa", ARD, Sun., 8.15 p.m.

That may have also asked Hans, who, according to the investigators, was not averse to interfering, if need be, in all sorts of things about his “saloon”, and also to file a complaint with the police. "It's a pub here, it's normal," says Hanne, and immediately unpacks a popular accusation: "Does someone have to die for you to come?" This crime scene, based on a script by Wolfgang Stauch and directed by Connie Walthers will not win a prize for original dialogues, after all he avoids the worst clichés. Well, almost: Ultimately, Ulrike Folkerts has to say something about "broken souls".

The team from Ludwigshafen is looking for the murderer of pub owner Hans Schilling. The new # crime scene "Leonessa" - today at 8:15 p.m. in the first! More: https://t.co/bJvVK5GXBR pic.twitter.com/2jBw2xenJZ

Lena Odenthal and colleague Johanna Stern soon discover that Leon and Vanessa are prostituting themselves - Ulrike Folkerts has to be seriously affected and, somewhat curiously, throw half an apple after Lisa Bitter.

TV criticism of the Odenthal crime scene on the ARD: Slightly confused and also a little bit to be expected

But the two of them are doing their job again hand in hand. Stern goes to Leon's mother, who has a “Dr.” but is a serious alcoholic. Odenthal goes to Vanessa's parents, who are hanging out in front of the television or playing a computer game, the mother says: "And what should I do now?" Vanessa herself says to the investigators: "Honestly, it doesn't matter to you at all."

While things are slightly confused and a little too unpredictable, Odenthal and Stern, for example, lie in wait again in the parking garage, run after people, try to find out whether Hans could have blackmailed one of the suitors, the teen is Trio at the center of the action interesting enough. Trio? Samir, Mohamed Issa, is "the third bike" to Leon and Vanessa (played by Michelangelo Fortuzzi and Lena Urzendowsky), he loves the girl and she will say the most beautiful sentence of the evening to him: "Kiss me honestly".

The Black Forest crime scene "I cried in a dream" shimmered through a desolate forest of desire: it told stories of fatal desire at Carnival. The crime scene "The night is yours" on ARD represented love in the analog and digital world.

BY SYLVIA STAUDE