It was just before confinement. There is an eternity. Inaugurating the Spring of Poets, Sophie Nauleau had brought together, before the fall of the pandemic curtain, Guillaume Gallienne and Renaud Capuçon. That day, the actor and the violinist read and enveloped with music extracts from The other half of the dream belongs to me , this collection of starred texts by Alicia Gallienne published on the same dates by Gallimard.
Sophie Nauleau, both the goldsmith of this selection and the author of her divine preface, then put into the light of day some of what the actor's cousin was able to create, out of sight, before let death not mow her at the dawn of her 20th birthday. Thirty years later, the woman who inspired the member of the Comédie-Française to reveal to the sensitive diamond of her words that she was, without our knowing it, a great poet of her century.
In these blessed times when artistic life punctuated the hearts of men, where freedom was tasted without notice, where concerts,
This article is for subscribers only. You still have 83% to discover.
Subscribe: € 1 the first month
cancellable at any time
Enter your emailAlready subscribed? Log in