Dear subscribers,
This letter allows me to share with you my favorites. To tell you my hopes, my expectations but also my disappointments. In short, to guide you, each week in the thick maquis of fictions. This week, two atypical and elusive fictions arrive on our screens. One is the surreal fable of Arte, L'Agent immobilier, where a bad son and bad father may have the chance to atone for his faults, helped by some time travel and a talkative goldfish. The other is The Eddy, portrait on Netflix of the tormented lives of jazz musicians in Paris today and first incursion into the universe of the series of Franco-American director and Oscar winner Damien Chazelle. Fans of makeovers, meanwhile, will not want to miss Patricia Arquette as a sultry and senseless mother in The Act . The replay of The White Princess, which illustrates the difficult return to peace in England in the late 15th century, already reveals the
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