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"Creating a movie costume is not copying"

2020-05-05T09:45:07.645Z


Anaïs Romand, film costume designer considered by many of her peers as a magician, is a specialist in period costume. Interview.


This size of the seventh art worked for the greatest, from Benoît Jacquot ( Diary of a chambermaid ) to Bertrand Bonello ( L'Apollonide. Memories of the brothel for which she had her first César in 2012, followed by two others, in 2015, for Saint Laurent by the same director, and in 2017, for La Danseuse by Stéphanie Di Giusto). His latest project? Paris Police 1900 , a series soon to be broadcast by Canal + which takes place in the Belle Époque France. I participated in many films during this period , she tells us. I don't know how many… but a lot! And never do the same thing twice.Anaïs Romand returns here to the particularity of his work: " making the codes of a society of yesteryear present and perceptible today ". A different approach from that of a fashion designer. Though…

"Unfortunately in France, too many films are still caricatured ... Imagining a costume means having a fresh look at the past. It is a question of restoring period outfits with our aspirations and our tastes of today ”, defends Anaïs Romand. François Guillot / AFP

How do you explain the recent success of costume fiction with the general public?

There is a real interest in the costume in recent years that we

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Source: lefigaro

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