The theater acts of presence

As you please , from Shakespeare

Christophe Rauck brilliantly stages this big disheveled tale which is both Shakespeare and a big step aside in his work. A summary of its fundamental components and a single use narrative system. All Shakespeare: magic forests, buffoons who sum up while squeaking, love tricks based on metamorphoses and twisted trials, melancholy dukes in exile, usurping princes ravaged by hubris, his family relationships which are limited to extremes by the incest and murder, its poetic energy, the reversibility of feelings amid the ambivalence of passions. But it is also a step aside, because the piece is in a narrative disorder that enchants. This comedy is not called As you likefor nothing. This author's subjectivity invites, at the end, the spectator to promote the show. As if this ugly duckling in his repertoire needed a generous, understanding audience, even though it is one of the most played works and

This article is for subscribers only. You still have 86% to discover.

Subscribe: € 1 the first month

cancellable at any time

Already subscribed? Log in