“The Beast” by Bertrand Bonello: Léa Seydoux convinces, but the film disappoints. The plot, and its incessant back and forth between the three eras, lasts two interminable hours and 26 minutes.
The worst occurring during an evocation of the Paris of 2044, of which nothing suggests that we are in the future. The future already doesn't seem very fun, but here it is downright forbidding. We are a little less convinced by the performance of George MacKay (previously seen in “1917”)