The filmmaker explores mother-child bonds from autofiction and beyond the limits of reality. After her extraordinary autobiographical diptych The Souvenir I and II (2019-2021), the British Joanna Hogg, at 63 years old, has become a reference filmmaker on the European scene.

His new film, La hija eterna, opens in Spanish commercial theaters outside the festival circuit. An event that finally vindicates an author capable of endowing her images with elegance and mystery because they are built from the weight of experience and life.