The director of Edward Scissorhands inaugurates an immersive experience around his filmography at La Villette. To access the exhibition, you must first enter the mouth of a toad with an exorbitant look.
The batrachian is itself swallowed by a cyclops with sharp teeth. In the dim light, a third monster with red boils and birch twigs on the skull waits, mouth open. His eyes are screens where strange shapes pass. The tone is set. For once, the word "immersive" is not overused.