The long duration of some of the films, such as 'Occupied City', by Steve McQueen, or 'Youth (Spring)', by Wang Bing, reopens the debate on the new modes of distribution and consumption of cinema. "Festivals, especially the smallest and most audacious, that is, those who have nothing to lose, among which is not Cannes, have decided that the durations of films are no longer a delimitation," says Álvaro Ramiroba, programmer in that section of Cannes.