In the mind of the perpetrator: Tobias scratch on his production of “Passenger”. “The Passenger” also has an incredibly melodramatic element.
Conductor Vladimir Jurowski and I agreed very early on not to overemphasize this. There is now a line version that summarizes some of the sentimentality in the camp a little more succinctly. In principle, there should be no taboo in art. One can do justice to the sage, in this respect one can only speak of different degrees of failure.