In his new novel, Paul Auster maintains his faith in fiction and love. Auster creates the ideal narrative path to reach a supreme moment, worthy of any anthology of love stories.

For Woody Allen, love and death “have remained stable, from Greek tragedy until now, “through Shakespeare, Chekhov, and reaching Scorsese”. And only love, as Auster tells us in Baumgartner, counts at the moment of truth. Subscribe to continue reading Read without limits Keep reading I am already a subscriber _