Our review of Olivier Py's imaginary Molière: new Diafoirus. The director puts on his filmmaker's hat to tell the last hours of Moliere in a film of exemplary nullity.
Filmed by candlelight, this film had some aesthetic ambitions, like all great failures. Olivier Py perhaps wanted to be Kubrick of the Barry Lyndon era. Alas, it would be… This article is reserved for subscribers. You have 54% left to discover. Flash sale -70% on digital subscription I ENJOY IT Already subscribed? Log in.