There is still tomorrow: women and blows. This Italian melodrama, which attracted 5 million spectators in its country, denounces domestic violence.
Shot in clean black and white, he appears naive and self-righteous. Every morning, when she wakes up, she receives a slap. In bed, her husband, Ivano, has a quick hand. These were the customs of Roman families in the immediate post-war period. Have things changed? This is the question that Italian director Paola Cortellesi, who also stars in There's Still Tomorrow, seems to be asking herself.