Tomorrow at the festival generations in comparison. Wim Wenders challenges himself by bringing Perfect Days into competition.
Quentin Tarantino promises his lesson in cinema starting from the book recently published throughout Europe. Last fires for the women's competition with Catherine Breillat (L'été Dernier) grappling with a murky story of sexual attraction that precedes the long-awaited Alice Rohrwacher by a day. In Our Day by Hong Sangsoo closes the Directors' Fortnight in his own way.