Several titles presented at the Berlinale have adopted the point of view of rhinos, hominids and works of art stolen in the colonial era. 'Dahomey' makes it clear that the restitution of African art is not only a symbolic compensation, but a fundamental act to reconstruct a cultural imaginary.
The Dominican Nelson de los Santos signs off with one of the most original and free titles in the competition, 'Sasquatch Sunset', directed by the Zellner brothers.