[HIGHLIGHTS] “The film The Zone of Interest does not aestheticize Nazism, on the contrary it succeeds in probing the cold action of evil”

Nicolas Giuliani responds to an article by François Margolin, published in our columns. Margolin criticized Jonathan Glazer's film for aestheticizing the Shoah.

From the end of the 1950s, following André Bazin, the question of “morality” ran through French criticism. From Jacques Rivette to Luc Moullet via Eric Rohmer or Jean-Luc Godard, everyone considers that cinema has a “moral” vocation. To discover PODCAST - Listen to the club Le Club Le Figaro Idées with Eugénie Bastié.