The disappearance of Salón de las Mujeres is the response to the great innovations that Cristina Kirchner introduced during her first presidency (2007-11), writes Ruben Navarrette. In 2009, Cristina created the Women's Hall and, a year later, the Gallery of Latin American Patriots.
When he came to government, Mauricio Macri dismantled the Gallery, and 8M swept the Women’s Hall, he says.Navarrette: Milei's pantheon offers a vision of the past that is not only misogynistic but also archaic, reeking of mothballs.