Karina Milei's maneuvers, the power, the fights and the President's doubts. The Bicentennial Women's Hall, located on the first floor of the Casa Rosada, was about to cease to exist as it had been conceived by Kirchnerism.
It had been decided to remove the paintings of Mercedes Sosa, Alicia Moreau de Justo, Alfonsina Storni, Victoria Ocampo, Lola Mora, Mariquita Sánchez de Thompson, Aimé Painé and Evita.