Joerg Staeger's light-sound column and Walter Mayer's pictures in one exhibition. Both artists are setting off.
And add fragments to new patterns. In the atelierRose, a renewed'milieu visit' awaits visitors. In front of Mayer's early nude pictures - women's bodies arranged in fragments, including a fetus - there is a skin-colored carpet. And just as the eye and head fantasize new shapes from the abstract light structures - animals, flowers, waves and more - the ear and head turn crackles, creaks and whispers into rustling leaves in the wind, buzzing insects, a roll of film fluttering on the spool. Images arise from optical chaos, a kind of melody emerges from acoustic melange. And from tissue, light and sound, something alive and new emerges - which nevertheless seems incredibly familiar. And so we come to the common thread at the studio to the studio: the thread of movement. By extracting the lines of movement of figures and arranging them in a new structure, we come out of chaos through a new rhythm, you could say.