Ronit Porat, a look between good and evil. Starting from a crime committed in Berlin in the interwar period, the Israeli artist delves into the ambiguity that photography contains.
An evocative and subversive amalgam of images that the author uses to raise questions that point both to the ambiguity contained in the photographic medium and its function. “Everyone knew it,” warns the phrase that accompanies the portrait of a young woman that opens the story. Her image will be repeated in different attitudes along with the faces of other women, of nudes, of birds that see everything but cannot speak.