Journalist Bianca Bosker went to work under a false identity in New York's elite contemporary art scene. She posed as a gallery assistant and studio apprentice, and eventually published a book called "Taking the Image" Busker exposes the pretension of the industry - from galleries that forbid assistants from sounding "happy" on the phone to indecipherable 'artistic' speech.
She calls for the opening of the ranks and full transparency, which will allow anyone with true artistic talent to be part of the prestigious world.