Yoko Ono was 12 when the US army bombed Tokyo, so the future artist was evacuated by her family of wealthy bankers to a farm in the countryside. The Tate exhibition includes a restored video of the recreation of that work in New York, filmed by the Mayles brothers, which seems to denounce the vulnerability of the female condition.

The legend (misogynistic, unfair, unfounded) says that Ono ended the Beatles. When visiting this exhibition, it comes to mind that perhaps it was the other way around: It was the Beatles who killed Ono.