1. The valuable anthropology
Sometimes you get out in his distress the Schiller man, if you have to defend his again but again abused, but essentially indestructible love for trash. One then constructs a glibbrig-shaky, sülzernes construct together, according to which a good result Trashfernsehen at least as much insight with respect to the human Ach-and weaknesses deliver like a squadron of Schiller Schaubühne: Because here and there the fallacies and passions so nicely consumable before a spread be that you can learn from it, without having to hang with real people (pleasant).
For this season "summer house" this actually applies: One really took something for his life, watching the characters in their loyalty-less fickleness, petty jealousies and clumsy Vercliquisierungen - even if it was only the firm decision, his remaining life somewhere in utter Loneliness with a pack of stray dogs to share, because in the "summer house" finally the last crumbly illusions about humanity were taken.
2. The sensational readiness for drama
Anyone who thinks the picture is exaggerated, a butterfly blow could ignite a hurricane, is taught by the "summer house" of a better: A sweaty ham was enough here to rip open a middling scandal and hit the pathos wind machine. Unforgettable as Johannes and Willi in the penultimate episode in the complete self-destruction mode tilted and alleged friendship with a few sentences turned into open enmity - a shabby and very big spectacle, as if Primark now also has a Shakespeare complete edition in the program. And all this was triggered by the alleged petitesse, that Johannes did not want to believe his girlfriend Yeliz, that they were licking a pair of plush cubes blindfolded in an important game.
After this season "summer house" you can imagine how wars arise. And perhaps he believes the theory that the First World War had in fact broken because Wilhelm II was so offended that he was allowed to run in the funeral procession of Edward VII, far behind the dog of the deceased British ruler.
3. The immediate attitude
This season was often uncomfortable because it lifted the viewer's distance. The sexual assaults in the first episode, Wendler's butt provocation, all stirred one up and took one with you, as if you yourself were concerned and did not just gawk through the windowpane, quite different from the conflicts at the just-finished "Celebrity Big Brother." ", which annoyed at best, but never stirred. "" Stop being wrong, you're right, "Elena's words often said," The special, often agonizing quality of the 'Sommerhaus' was that its inhabitants behaved in places as if they existed no cameras, no spectators, as if they really only played their role for the others in the house.
Especially Willi, who should have guessed that his - as a child with the help of his Smurf collection designed - Intrigue lineup later, in the broadcast, with a few simple cuts would be immediately unmasked. That he would be in front of the spectator, who knows just more than the other inhabitants, just not the self-proclaimed heart person, but a rather unpleasant Hetzermensch. These were moments, almost like in the very early Trash times when the protagonists did not know what was behind and after.
4. The golden text corpus
It is not possible to reproduce in a shortened form the rhetorical horror of the reunion broadcast immediately after the finale. What has happened there, what has been spoken, must be recorded 1: 1 and unredigated and published as Reclam booklet, there is no other way. How Sabrina tried out of nowhere to reveal Benjamin as gay. As John blushed the bright red colored Sabrina, she had suitably chosen "the hair of the devil". Then the makeshift metaphorically decorated stake-holding dialogue between Jasmin and Sabrina. And how Menowin stood up in the middle of a real Ehrenmann move and left the show because he found everything "excessively blatant": all this is great stage material. Additional explanations and materials were always found in the advertising breaks of the programs on Instagram, where the protagonists in her live stories recounted unsung scenes and provided additional information. And for example, the suspicion nourished, the interim dispute between Willi and Sabrina was only played and choreographed by the two in advance in Mallorca to secure more airtime for themselves.
5. The fascination of Mike Heiter
Maybe it's the name that makes him invulnerable because it works as a self-fulfilling proposition. Maybe we would have to change all of our surnames only to "Fidel", "Sunny" or "Munter", and even the most concentrated gall swell that is spewed to us by others, would just bead off, as if we had just finished with a whole pot of Elena advertised coconut oil anointed as if the dragon's blood "What are you shit wanker, asshole are you, go to hell," Elena yells at Mike. Whereupon he said to her, "I am proud of you, but these insults do not have to be." Mike Heiter was the one in the summer house who always laughs. And one touched when he suddenly knew Adenauer: "Somehow this name got into my head and I pronounced it, I can not really know that."
Congenial, however, were the outpourings of his painful Aggronette Elena, this ever-steaming meme factory, with "Where is the fairness, WHERE?" delivered one of the great iconic declamations of world history - followed by "We are allowed to cry whenever we want!" and her announcement to Sabrina: "If you want to talk to me, then you will win me over, thank you, I am Mrs. Miras." One should now urgently explain to the two that "disabled" is not a dirty word. And then you would like to see this highly mysterious yin-yang duo in other formats.
