After 7 years, the stretching program returned to the screen. In the meantime funny, but we didn't drop jaws.
Spring Glow in Extreme Ambush
A lot of her voice has flowed in taps since innocent radio tensions dominated the genre in its early days. Just like the legitimacy that magicians get to lie to you inside, so does the tension genre. For a moment, as a society, we deviate from the conventions and allow ourselves to allow blind, cruel, innocent people to work, and then broadcast it in prime time to a mainstream audience - just for entertainment.
Yehuda Barkan would send our mushroom to hide in a tree and jump in bins, the overgrown Igor breaking watermelons, and Danuta exposing a chest to astonished Israelis, but the world is no longer there. "Smile, you ate it," directed by Barkan and Yigal Shilon, brought 750,000 people to the Eighties cinemas. In the 1980s, this was the trend, and if possible, be as provocative as possible. In the 1990s, the trend trickled down to commercial television, and "Misses" submitted by Shillon for 15 years is one of the most watched programs in Channel History.2 However, today the genre seems to no longer belong to television.
Hidden cameras hide in every corner, the commercial channels use them for unnecessary purposes, but the tensions themselves are mostly drained into corners in the style of "what would you do in such a situation". The comic genre has meanwhile become a success on social networks. In fact, it fits a lot more there than institutionalized television. If, in terms of platform width, the values that are being tested along the stretch, the integrity of the factors involved, the possibility of examining boundaries or murdering holy cows. All this and more get on with the internet more easily than with regulations and ratings struggles. But television has money and celebs, and sometimes you can go crazy. Sasha Baron Cohen, for example, succeeded in his various works ("Borat," "Who is America?") To cross every possible red line, and through strong tensions conveyed strong, satirical, political and social messages.
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stretch central summoned police to arrest Aviva Bar-Zohar on charges of soliciting a fan attack on a US diplomat , After the latter spoke bluntly to his secretary - which lit the fuse of a glamorous bar and developed into a grandiose female empowerment demonstrator, which included smashing a bottle on the man's head. Since the whole program stands and falls on "One Take," in the hope that the stretch won't catch on in the middle of the scene they are working on, it is of enormous importance to stick to the early script; It is evident that the actors and celebs are rehearsing, and digital means have also been used to compare the event to a reliable touch. And in the end it comes out funny.
"Extreme Ambush," 21:30, 13 p.m.