American cinema does not have the privilege of the genre. The directors also leave on our national and our departmental. Mythical swerves and the poetry of wandering.
Godard wants a vacation. For his tenth film, he needs salt water and blue skies. Direction the Mediterranean. The filmmaker sums up Pierrot le Fou by compiling all his previous titles: "A little soldier who discovers with contempt that you have to live your life, that a woman is a woman, and that in a new world, you have to stand apart. so as not to end up out of breath. ” There are two other summaries: "A boy and a girl go towards the sun, try to live like Robinson Crusoe and do not succeed" or "Stuart Heisler reviewed by Raymond Queneau" . So we have a choice.
Read also: When Raymond Queneau demanded newspapers for his dog in 1951
First, there is a "Black Series" by Lionel White, Le Démon de eleven heures . Jean-Luc Godard will claim the opposite, but he will keep a lot of elements. It's about maintaining his legend of brilliant improviser. Jean-Paul Belmondo
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