After months of scarcity, only the most refined could satisfy the palates of American moviegoers.
"I was more radical in my choices, favoring films that give a point of view on the world and on the cinema"
, warned the director of the American Film Festival, Bruno Barde.
Of which act.
This 2020 vintage surprises with its vigor and aligns the nuggets that conquered Telluride and Sundance, Mecca of independent cinema in the United States, last fall and winter, just before the coronavirus paralyzes the seventh art.
Deauville is also providing a platform for works that should have opened the canceled spring festivals, such as
Holler
, by Nicole Riegel, intended for South by Southwest in Austin.
I was more radical in my choices, favoring films that give a point of view on the world and on cinema
Bruno Barde, director of the Deauville American Film Festival
Winner of the Audience Prize and the Jury Prize at Sundance,
Minari
opened the ball in Normandy and cast the same enchanting spell.
Filmmaker Lee Isaac Chung portrays his parents, Korean immigrants, settling in Arkansas in the 1980s. Their American dream - to start a farm
This article is for subscribers only.
You have 68% left to discover.
Subscribe: 1 € the first month
Can be canceled at any time
Enter your email
Already subscribed?
Log in