Critics of 'Babelia' review titles by Vanessa Springora, Sara Mesa, Isaac Rosa, Leonardo Padura, Edith Wharton and Edward Said.
THE CONSENT.
Vanessa springora
Vanessa Springora torpedoes the cynicism with which pedophilia is still concealed in the book in which she recounts her relationship with the writer Gabriel Matzneff when she was 13 years old.
Criticism of ANNA CABALLÉ
ONE LOVE.
Sara Mesa
Sara Mesa exhibits an increasingly refined style and reaches an unprecedented forcefulness in her new novel.
Criticism of CARLOS PARDO
RED CHALK.
Isaac Rosa
Isaac Rosa brings together some of the human, social and intimate pain that surrounds us here and now.
Criticism of J. ERNESTO AYALA-DIP
LIKE DUST IN THE WIND.
Leonardo Padura
Leonardo Padura unfolds all his craft in an ambitious novel that portrays like few others the reality of exile in his country, but loaded with so many plots and characters that it sometimes weighs too much.
Criticism of CARLOS ZANÓN
THE TOUCHSTONE.
Edith wharton
Edith Wharton makes us think about the prudence of tying one's hand behind his back so as not to write everything down, the excesses of erotic sincerity and the poisoned gifts.
Criticism of MARTA SANZ
POWER, POLITICS AND CULTURE.
Editing by Gauri Viswanathan
The volume 'Power, politics and culture' brings together a series of interviews in which Edward Said debated issues such as the idea of a literary canon or the situation in Palestine.
Criticism of JUAN LUIS CEBRIÁN
MANAGE A TOPIC.
Azahara Alonso
Azahara Alonso's verse seems like a prose that grows branching out, dissolving in semantics and syntax.
Criticism of Antonio Ortega