What does Cindy Sherman, star of “made in USA” photography and model of all her portraits look like?
To a trendy Brigitte Bardot
Le Mépris
by Jean-Luc Godard, offensive breasts and white bodice, who reaches out like a thief to take a book from the upper library of scholars (
Untitled Film Still # 13
, 1978)?
To a Hitchcock heroine, that wise blonde with a strict chic and corset who smolders on fire under the ice (
Untitled Film Still # 53
, 1980)?
To an Italian bombshell, brown wig and visible stockings on round thighs, which lifts the curtain of Mediterranean summer over her incendiary femininity (
Untitled Film Still # 7
, 1978)?
To Agnès Sorel as
Madonna and Child from the Diptych of Melun
by Jean Fouquet, huge forehead and round breast like a sphere, but without the red and blue angels painted in 1452 (
Untitled 216
, 1989,
History Portraits
series
)?
To a collector who is too lifted, mouth stretched, eyes wide (
Untitled # 474
, 2008,
Society Portraits
series
)?
Or to a witch, long nose and
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