This time, there it is.
The three major Parisian symphonic groups have made their comeback.
Each at home: the Orchester de Paris at the Philharmonie, the Orchester national de France (ONF) and the Orchester philharmonique de Radio France at the Maison de la radio.
Complete, and no longer just limited to strings.
With similar protocols concerning the public, masked with a free place between two spectators, but different practices on the musicians side.
Those of the Philharmonie take off their masks once on stage, those of Radio France, conductor included, keep it to play, with the exception of course of the wind instrumentalists.
Read also:
With Klaus Mäkelä to replace Daniel Harding, the Orchester de Paris is focusing on young people
Common to all the experiences of living music made since the release of confinement: the fervor of an audience that rediscovers the pleasure of communing with the performers and of being overwhelmed by sound.
All the more reason to convince listeners, still a bit rare at the Radio France Auditorium, that concert halls are
This article is for subscribers only.
You have 83% left to discover.
Subscribe: 1 € the first month
Can be canceled at any time
Enter your email
Already subscribed?
Log in