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Puppet Theater, Intriguing Collaboration and Ashley Graham: Summary of Milan Fashion Week - Walla! Fashion

2020-09-29T09:20:45.485Z


Jeremy Scott's Puppet Theater for Moschino. The exaggerated colors of Versace. The collaboration of Raff Simmons and Miuccia Prada and Ashley Graham for Fendi. Everything that was at Milan Fashion Week


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Puppet Theater, Intriguing Collaboration and Ashley Graham: Summary of Milan Fashion Week

After a particularly strict closure, Italy is back to normal and celebrating Fashion Week again.

Jeremy Scott gave up models and audiences and picked up puppet theater.

Versace caused us a slight blindness.

Miucha Prada introduced the collaboration with Raff Simmons and Fendi cast Ashley Graham. Here's everything that was there

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  • Fendi

  • Versace

  • Milan Fashion Week

  • Moschino

  • Jeremy Scott

  • Prada

  • Raff Simmons

  • Miucha Prada

  • Ashley Graham

Gal Slonimsky

Tuesday, 29 September 2020, 12:08

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Moschino View, 2017 (Official Website)

Some would say that Milan Fashion Week last February was the culmination of the Corona disease in Italy, bringing the country to the dire situation it was in about six months ago.

However, much water has passed through the Corona River since then.

Italy, which was the first to suffer badly from the virus, went into quarantine, took control of the spread - and today has returned to almost completely normal function.

While Israel is currently in the midst of a particularly severe second closure, in Milan they celebrated Fashion Week again.

True, it was not like we sales, fewer guests, a lot of shows gave up an audience and also a lot of busy top models gave up the pleasure of traveling the world.

All this did not prevent the super designers from presenting their collections for spring-summer 2021. Among the many impressive and interesting displays, we kept an eye on four unusual ones.



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The most creative display: Moschino

If there is a fashion house that likes to invent the wheel and think outside the box, it is Moschino.

American designer Jeremy Scott, who serves as the brand's creative director, continues the line of the founder, Franco Moschino, and surprises each collection anew with insane creativity.

This time he decided to find a solution to the social isolation required in the Corona period: puppet theater.

Scott Lamoschino gave up models and audiences and even himself and created with artist Jim Hanson dolls that look like models (and yes, even one that looks like him that will go out in the finale) and dressed them up in branded clothes.



40 locks from the collection passed the little one in favor of the 40 mosquitoes of Moschino, who went out one by one to the track.

In the audience sat puppets in the form of Anna Wintour, Edward Aninopol, Anna Delo Russo and others.

Although the idea sounded innovative, in the post-World War II era it was customary to present collections using miniature dolls, and those who did so at the time were Pierre Belmain, Cristobal Balenciaga and Jean Lennon.

And what about Moschino's collection?

Although this is a ready-to-wear collection, the fragrance is completely couture: an elegant style that includes a variety of dresses - from mini to large and expanding, lots of tulle, beads, stones and soft colors of gold, light blue, pistachio, mobile, pink and purple.

The idea is not innovative, but it was definitely surprising in the landscape of Milan.

Moschino Puppet Theater (Photo: splash)

Ready to wear, but couture scent (Photo: splash)

40 scale models of the collection (Photo: splash)

Jeremy Scott also won his own doll (Photo: splash)

The collection that dazzled us: Versace

The Versace fashion house provided us with a neon attack that blinded us to the point of slight blindness.

An exaggerated phosphorescent collection with some unflattering motifs like pop-up bras, bras on shirts, coarse colors, a great presence of plastic and jarring ocean-inspired prints.

Even Irina Shake was not seen at the peak on the track and it really is something rare.

But if you ignore the collection for a moment, since it is the main thing, you can identify a beautiful story behind the collection.

The show itself took place without an audience, but those who were invited to watch it virtually found themselves in a lost city underwater, inspired by the mythological Athenatis, and hence the recurring motifs like oysters, corals and starfish.



"The world has changed and so have we. We've been repeating this mantra for months. For designers, it means starting all over again," Donatella Versace said.

And to start all over again, you first have to sink.

This is basically the main message, it sinks the old world to create a new world.

Some of the prints in the current collection were inspired by a previous collection of the fashion house, the one designed by founder Gianni Versace in the spring of 1992. This is a tribute by Donatella to her late brother who was murdered in 1997.

Although we are less attached to the collection to say the least, we have a positive word to conclude - this is one of the most diverse displays seen in Milan.

Models in all sizes, sizes, shapes and colors.

This is how a fashion show should look like.

A tribute to a collection designed by Gianni Versace in 1992.

Versace's show in Milan (Photo: GettyImages)

Even Irina Shake was not seen at her peak (Photo: splash)

Motifs inspired by the lost city of the mythological Athenlatis (Photo: GettyImages)

Credits: The most diverse display we've seen (Photo: GettyImages)

Intriguing Collaboration: Prada

The old fashion house Prada first presented the collaboration collection between Miucha Prada and Raff Simmons.

The Belgian designer, who shares with Miucha Prada the prestigious role of chief designers, retired in 2018 from his role as chief designer of Calvin Klein, and previously served as the creative director of housing.

The view of the two was digital and the track was networked with cameras.

In summary Fashion Week, this is one of the most watched shows.

The audience was curious to see what the collaboration between the two reputed designers would bring.



Well, the answer is a logo attack, but subtle.

At the Prada fashion house, they realized that today it is customary to show what they are wearing and if it goes to Gucci and Louis Vuitton - then why not them?

Each garment or accessory was given a stamp of the logo.

Many of the logos were placed in the clavicle and neck area, perhaps out of an understanding that in the new reality we would all communicate through zoom screens and focus on what was perceived by the computer camera lens.

Other than the increased presence of the logos, no real surprising trend change was recorded.

Viewers may have expected new news but Simmons seemed to align with Prada's aesthetics and most of the models looked familiar.

Tailored style, gloomy monochromaticity and lots of timeless classics.

Logo attack - and a stamp in the center.

To look good in zoom calls.

Prada in Milan (Photo: splash)

Not registered in a really exciting line (Photo: splash)

The most viewed show at Milan Fashion Week (Photo: splash)

The style is elegant, timeless and very familiar (Photo: splash)

Return of Ashley Graham: Fendi

We were missing a lot of familiar faces this week at Milan Fashion Week, from the Hadid sisters, through Kia Gerber to Kendall Jenner.

But there's one person who's been missing from shows for a while and we'm finally happy to see her on the runway: Ashley Graham.

The successful plus-size model has taken a break from runways in favor of pregnancy and childbirth and here she is now back to business, reminding us why we love her so much.

Her erupting personality is more beautiful than any outfit she wears, and that may be the message to all of us - we make the clothes, not them us.



And what was on display anyway?

Fendi, too, was influenced by the corona, of course, and decided to dedicate the designs to the introspection imposed on us under the auspices of the plague as well as to the quality family time that the closure summoned for us.

Therefore, the prominent motif in the designs is sheer fabrics, a kind of way to mark the same look in and out.

The color of the clothes is quiet and includes shades of white, milky, gray, mobile and light blue.

There are a few touches of black and red.

It is interesting to look at the bags that herald a diverse year in the accessories segment.

The next collection will be designed by Kim Jones, designer of Dior's men's line, who is expected to step into the shoes of the late Karl Lagerfeld and become the new creative director of the Fendi fashion house.

How good you are back on track.

Ashley Graham to Fendi (Photo: GettyImages)

Insulation-inspired collection - ready to go to bed in a coat at any stage (Photo: GettyImages)

Waiting to see Kim Jones' next collection (Photo: GettyImages)

Conclusion Portfolio Collection (Photo: GettyImages)

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Source: walla

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