Michelangelo?
A perfectionist always dissatisfied.
An overworked enthusiast.
But also a proud horse dealer, his feet anchored in the dust of marble and pigments!
In Andreï Kontchalovsky's film, in theaters on October 21, played by an Alberto Testone with the required broken nose, emaciated body and dressed in rags, it looks like it came out of one of these masterpieces of Italian neorealism .
Unless it's a Pasolini.
In 1512, the master floundered in even dirtier alleys and clashes of clans.
Toy of the powerful who, in Rome "the depraved" as much as in Florence
"the whore"
, are slow to pay their crazy demands, under pressure from his workers, jealous of his peers, from Bramante to Raphael, he gets bogged down in large orders.
Read also:
The Sistine Chapel: "A new breath, a new light"
Julius II dies, the popes succeed each other more or less friends, and he must finish his pharaonic tomb while his city requires a facade to its basilica San Lorenzo.
Between the Della Rovere and the Medici who wield poison as well as dagger
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