We only see him, in the immensity of the Pantheon.
At the foot of the Foucault pendulum he loves, having gone around it hundreds of times with his children when they were young, we do not know what impresses the most: its size or the density of its hair?
Unless it is this voice which carries well beyond the seven seconds of reverberation of the place, and warms the icy atmosphere of this January morning.
At 65, composer Pascal Dusapin came to present his sound installation for the temple of glory,
In nomine Lucis
.
A permanent installation, state commission, inaugurated on November 11 during the pantheonization of Maurice Genevoix, to go hand in hand with the installation of the plastic artist Anselm Kiefer.
The general public has still not been able to discover it, due to the health crisis.
His emotion is palpable, as the voices of the Accentus choir rise up, recorded at the Philharmonie de Paris (executive producer of the installation), and broadcast
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