By Arianna Finos (La Repubblica)
Diana Prince crosses the hall and around her, men's eyes linger on her person.
Wonder Woman kicks in at a mall and captures the big bad guys: she lifts one up by the leg and winks at a petite African American.
In 2017, it already seems to go back an eternity, the blockbuster on the superheroine had collected $ 822 million, thus breaking the glass ceiling that separated women filmmakers from major productions: all the credit goes to director Patty Jenkins, but also to the charisma of Gal Gadot.
Read also: Warner confines the cinema to a folding seat
With this new opus,
Wonder Woman 1984
, we quickly become aware through social networks of the phenomenon generated in recent years: thousands of little girls have shown themselves wearing the bracelets of submission and the golden lasso of truth.
WW-1984
is set in the 1980s and the villain is American turbocapitalism, embodied by Pedro Pascal.
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