Tuesday, a meeting was held under the aegis of the CNC to move forward on the thorny question of the place that the world of cinema should leave to platforms in the film exploitation cycle;
the famous media chronology.
Dominique Boutonnat, president of the CNC, has the difficult task of finding, by June 30, a new balance between the current financiers of the sector: Canal +, Orange (OCS), the free channels and the future contributors that are Netflix, Amazon and Disney.
Read also: Cinema: can platforms supplant dark rooms?
Basically, the cinema wants to keep the money of Canal (160 million euros), Orange (40 million) and the free channels France Televisions, TF1 and M6 (120 million euros), while collecting that of platforms (around 80 million expected in the coming years).
But inevitably, it gets stuck.
To get the money from the platforms, you have to give them an advantageous place.
The current media chronology, which dates from 2018, gives SVOD services the possibility of exploiting a film 17 months after its release.
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