What good was life in Technicolor!
What freshness.
This naivety.
The Doris Day-Rock Hudson couple worked wonderfully.
This “Romantic Trilogy” proves it.
These two were made for each other, on screen at least.
They bicker, send dirty tricks, reconcile in dapper settings.
To read also:
Disappearance of Doris Day:
What will be, will be
In
Confidences on the Pillow
(1959), which won the Oscar for Best Screenplay, director Michael Gordon gives them the same phone line.
He spends hours on the phone.
She paws and hears the endless conversations with always a lady on the phone.
This blonde with plump forms is a decorator.
He is a composer, which allows him to hum a chorus identical to his many conquests.
When they meet, the womanizer poses as a brave Texan visiting Manhattan.
It melts.
Misunderstandings are piling up.
Their exchanges are often shown in split-screen.
A recurring gag concerns
This article is for subscribers only.
You have 67% left to discover.
Subscribe: 1 € the first month
Can be canceled at any time
I ENJOY IT
Already subscribed? Log in