Tania Mouraud sets the tone.
His work
Plinthes
runs with its geometry of colors flush with the first picture rail of “They Do Abstraction”, the manifesto exhibition at the Center Pompidou which re-reads the history of female art.
Humor and plastic code are the weapons of this
Wall Paintings
artist
,
born in Paris in 1942.
“Tania Mouraud addresses the relationship of women to the issue of recognition, since the word“ plinth ”plays with the word“ complaint ”.
She uses the colors of the decorations that she considers attributed to men more often than to women.
She places her work at ground level and thus visually questions the hanging of the work at the so-called normal height.
It is this symbolism through an abstract work, a priori without political meaning, which opens the discourse on the invisibilization of women ”
, explains Christine Macel, conductor of this body of research on a cultural, social and institutional process. or ideological which left, de facto,
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