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Audiard's reality in liquid black and white in Cannes

2021-07-14T17:21:04.194Z


LES OLYMPIADES (PARIS 13th DISTRICT) by Jacques Audiard, Palme d'Or for Dheepan, is a film that not only wants to tell a story, but also to make us understand what happens to us. (HANDLE)


(ANSA) - CANNES, 14 JULY - LES OLYMPIADES (PARIS 13th DISTRICT) by Jacques Audiard, Palme d'Or for Dheepan, is a film that not only wants to tell a story, but also to make us understand what happens to us. And after the two-hour length of the film, in competition at the Cannes Film Festival, one thing is clear: reality, at least as Audiard sees it, is black and white (just as he shot this work) and very liquid. How to tell all this? Through a group of young people, who live in the Parisian district Les Olympiades, precarious in everything: work, sex and loved ones. As the synopsis summarizes: "It is a story set in contemporary Paris where Emilie meets Camille, who is attracted to Nora, who crosses Amber's path". Insommatre girls and a boy to rewrite modern love,the same concept of fidelity through relationships without duration, without tomorrow even with regard to work. Camille (Makita Samba) goes from researcher to real estate developer and while she is with Emilie (Lumina Wang), who works in a call center, she meets Nora (Noémie Merlant), a student who now asks for work in her real estate. Add to this another key element of LES OLYMPIADES, the digital one: the video interface is worth more than reality, you communicate with erotic lechat, you become victims of 'poisoned' selfies (which pull the protagonists of porn films) and you are a lot, perhaps too much, in video phone call. (HANDLE).who works in a call center, meets Nora (Noémie Merlant), a student who now asks for work in her real estate. Add to this another key element of LES OLYMPIADES, the digital one: the video interface is worth more than reality, you communicate with erotic lechat, you become victims of 'poisoned' selfies (which pull the protagonists of porn films) and you are a lot, perhaps too much, in video phone call. (HANDLE).who works in a call center, meets Nora (Noémie Merlant), a student who now asks for work in her real estate. Add to this another key element of LES OLYMPIADES, the digital one: the video interface is worth more than reality, you communicate with erotic lechat, you become victims of 'poisoned' selfies (which pull the protagonists of porn films) and you are a lot, perhaps too much, in video phone call. (HANDLE).


Source: ansa

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