"How's your blanquette?"
Hubert Bonisseur le Bath's replica immediately became cult following the release of
OSS 117: Rio no longer responds
twelve years ago.
The third opus of the wise, in theaters since Wednesday, does he reserve such tirades?
New shutter, new frame, new director.
This time, Nicolas Bedos takes the reins of this new adaptation of the spy novel, succeeding Michel Hazanavicius.
Read also:
OSS 117: Red alert in black Africa
: an average Frenchman with a license to kill
The world has changed, but our dear secret agent remains true to himself.
OSS 117 goes this time to Africa to put down a coup d'état, as part of a Françafrique which is crumbling.
Aging, the hero must team up with the young OSS 1001, played by Pierre Niney.
The film takes place in the last months of the presidency of Valéry Giscard d'Estaing with which seems to be extinguished an outdated conception of French espionage in a world that is constantly changing.
For Eric Neuhoff,
Figaro
critic
,
plunging this very Fourth Republic character into a world where benchmarks evolve at high speed, once again works. “
The world has changed and our favorite agent has noticed nothing. Such an unconsciousness constitutes the most gratifying spectacle, ”he
believes. The film thus excels in irony. "
The writers have perhaps founded a genre, the second degree which is perhaps not one (unless it is the reverse), the enormities uttered with the most disarming innocence
", Judge Éric Neuhoff in unison with part of the press who admits having been seduced by the new adventures of Hubert Bonisseur.
To read also: Nicolas Bedos:
"I loved putting OSS 117 in a fragile position"
“
It's silly but it's funny. And that feels good
, ”summarizes the
Journal du Dimanche
.
Marianne
judges that the film
“honors a genre, popular comedy, often mistreated by cynics and acclaimed by the public”. "We applaud Nicolas Bedos
"
,
explains
La Voix du Nord. He had the right profile to perpetuate this festival of dubious and enjoyable jokes while ensuring the spectacle. We had a good laugh, and we weren't even ashamed.
As for the Parisian, he adds: "
Kidnapped, stuffed with action scenes, this
OSS 117
is a festival of hilarious situations
."
So, mission accomplished for the secret agent?
Not for everybody.
According to
Large Screen
, Red Alert in Africa
surpasses the previous components, but "
in one area: malaise
".
“
There is a real problem in this third installment of OSS 117: the handling of this politically incorrect.
If the films of Michel Hazanavicius were fully so, they never glorified the character of Hubert Bonisseur de la Bath
, ”regrets the critic.
To read also: OSS 117 racist and sexist?
Nicolas Bedos pleads for "freedom of humor"
Première
is not as vindictive but judges that "
something is wrong
" because Nicolas Bedos does not really assume his speech.
"The scenario seems to follow each daring or inflated valve on Africa and Africans by a scene that looks like a justification or an excuse
", underlines the magazine.
This third version would have benefited from having a quarter of an hour less
Eric Neuhoff, Le Figaro
Le Monde,
for its part, underlines the weaknesses of the scenario.
"
Once the spectator has grasped the message - which we are also entitled to dispute - all that remains is to follow a somewhat flat and warmed up plot, which the acting sometimes manages to achieve. forget,
”says the daily.
Conquered or skeptical, all critics however agree on one point: this component remains below the first two films.
"This third version would have gained to have a quarter of an hour less",
estimates Eric Neuhoff. “
Let's say it, this opus is probably not at the level of the previous two (all have the same screenwriter, Jean-François Halin). The rival spy duo Dujardin-Niney works very well… until the script does not really know what to do with it,
”notes
La Voix du Nord
.