The raw color?
This flashy and cerebral demonstration by thirty artists at the Museum of Fine Arts in Rennes starts from Claude Lévi-Strauss and his primordial notion of the vintage in the civilization which nourished his mythical book (
Le Cru et le Cuit
, 1964, Plon).
Is believed, defines the Trésor de la langue française informatisé (TLFi),
“which is in its raw state;
that is not worked;
which has not undergone any preparation (for the use we want to make of it), nor any transformation, ”
recall the three commissioners, Jean-Roch Bouiller, Sophie Kaplan and Anne Langlois.
Read also:
Pictorial efflorescences in Giverny
In art, this leads to the heart of matter.
Where, since prehistoric times and cave art, artists have drawn inspiration.
In
CMYK
, Frenchman Évariste Richer aligns four semi-precious and unpolished stones, both monochrome sculptures and samples of cyan, magenta, yellow and black colors.
Everything exists in nature, the rainbow, the glowing twilight, the miracle of day and night.
Dan Flavin did
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