Full sun, on September 13, on the main courtyard of the Élysée Palace.
From Nicolas Bourriaud, historian whose book
Relational Esthetics
(1998) has become the bible of Fine Arts students, to Emma Lavigne, president of the Palais de Tokyo while waiting to take over the head of the Pinault Collection on November 1, the VIPs of the world of art testified to the imminence of an event.
Upon arrival in the Winter Garden, the response was dazzling, in the glass roof overhead: Daniel Buren is there in all his play of colors, geometry, voids and transparencies that light crosses and modifies. from Paris.
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Christo told by his nephew Vladimir, close portrait
In 2016, he transformed Frank Gehry's glass sails for the Vuitton Foundation.
For the Élysée, he passed the tricolor cape.
And whoever refuses the word
“
artist
”
and is wary of the charm of color opts for the first time for a highly symbolic trilogy.
His in situ work,
Pavoisé
, transforms the presidential glass roof into a multitude of small
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