The customers of a small café in Mantes-la-Jolie, gathered on the terrace, evoke
“a miracle”
to describe the event. The word is well chosen. Due to the pandemic, Laurent Voulzy's concert in the Notre-Dame collegiate church, which is to be held that evening in the magnificent Gothic building of the 12th and 13th century, had been postponed… four times. The city seems, on this day in September, to vibrate more for the arrival of the artist than for the match PSG-Manchester City. At the table, conversations are lively.
"We traveled 60 kilometers to come and listen to it",
launches a fifty-something, happy to be part of the thousand admirers expected.
"Did you see that a book dedicated to churches comes out?"
interrupts a faithful of the tour of one who already has more than 200 performances in places of worship for three years.
To read also
Alain Souchon and Laurent Voulzy spend their tubes on the test bench
By signing
Mes cathédrales
*, Laurent Voulzy shows a little more his singularity in the musical world by addressing his fascination for religious buildings.
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