(ANSA) - ROME, OCTOBER 23 - Sometimes "I need to shout. It is painful to know that the Italian investment in the show has gone so far as to be fourth from last in Europe, giving us all a license of social worthlessness". How "it is painful to see sacrificed the commitment, enthusiasm, leniency of so many artists and artisans who would pay to do what they do better than anyone else". Elena Sofia Ricci remembers this in the documentary Cry for a new Renaissance ', which ideally opens at the Romala Film Festival the first National Day of the show scheduled for October 24, a celebration born of the law that' dedicates' this date to the promotion of "artistic and musical activities. , choreutic, theatrical and cinematographic, which is held tomorrow.
An appointment to turn the spotlight on a sector severely affected by the pandemic, with thousands of people left at home with closed theaters, blocked tours and comrades abandoned. Investing in the show "must be a political, cultural community of today but also of tomorrow. A country that has in its genetic heritage the excellence of culture cannot remain at the bottom of the European rankings for the level of investment in the show", said the president of the Senate Maria Elisabetta Alberti Casellati, introducing the documentary, for which the redcarpet has been enriched with performances by circus artists.
The non-fiction film, which in the hall was welcomed by various open-stage applause, is the story conceived by Elena Sofia Ricci, Stefano Mainetti and Elisa Barrucchieri, of the event on June 24, 2020 organized by artists, technicians and workers at the Teatro 8 of the Studios in Rome. , precisely to give visibility to the problems of the entertainment sector.
A performance in which acting, performance, dance, music have merged, with dozens of protagonists born to focus both on those who go on stage or on the set and on the dozen professions of the show (160 sector associations participated) not visible but equally necessary .
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