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Black market, white meat and greenbacks

2022-01-04T12:43:11.206Z


CRITICAL - After Panahi, Rassoulof or Farhadi, director Abbas Amini confirms the vitality and quality of Iranian cinema.


The most exciting cinema of the moment arrives from Tehran.

If Jafar Panahi (

Taxi Tehran

), Mohammad Rasoulof (

The devil does not exist

) and Asghar Farhadi (

A separation

), three winners of the golden bear at the Berlinale, have put the Iranian capital in the spotlight for several years now. years, the succession is assured.

To discover

  • The peasant humor of Bodins does not make Paris laugh

Behind these anxious moralists grows a new generation of filmmakers who adhere to film noir, an ideal genre for exposing the hypocrisies and turpitudes of a society.

To read also

Asghar Farhadi: "It is vain to take someone as a model"

After Saeed Roustayi and his formidable

Law of Tehran

, grand prize of the Reims Polar festival, Abbas Amini, author of

Marché noir

, awarded the jury prize in Champagne, confirms this vitality.

Frozen by accident

Black market

opens with crossfades on butcher's fangs and meat carcasses.

In this still life à la Soutine, three corpses litter the floor of a cold room.

Abed, the slaughterhouse guard, takes his son Amir on board to "clean" the premises, under the uncompassionate gaze of his boss, Motevalli ...

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Source: lefigaro

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