The cover photo of his recording of the
Goldberg Variations
, which the Erato label is about to publish, shows the harpsichordist in a light sfumato, eyes closed, hair and beard less wild than usual.
The career of Jean Rondeau - magnificently introduced to the record with this
Bach, Imagine
in 2015 which had confirmed all the hopes placed in him since a famous first prize received in Bruges in 2012 - would he take a new turn with the conquest of this summit of the repertoire - Bach, always him - and almost obligatory passage of all keyboardists since Glenn Gould?
To discover
The Nutcracker,
deemed racist, will it survive the era of "cancel culture?"
Read also
Everything you always wanted to know about Bach
Not sure that the harpsichordist puts so much pressure on himself, he who learned so much from Blandine Verlet, master and inspiration in love with freedom and silence:
“We can defend less visited repertoires as I have just done with “Melancholy Grace” and go to known and much played works”
, advances the musician who answers us from the tip of Brittany where he recently settled…
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