For more than twenty-five years, its magnetic elegance has spread everywhere. Because Édouard Baer is both a voice, which resonated for the first time on Radio Nova alongside that of Ariel Wizman; a mop of hair and a disheveled spirit spotted in the “Viewing Center” of Canal+; a charm of a cursed poet who operated on the big screen in socio-romantic comedies such as
God is great, I am very small
by Pascale Bailly,
Lies and betrayals and more if affinities…
by Laurent Tirard,
Encore Joyeux
by Benoît Graffin or
Mademoiselle de Joncquières
by Emmanuel Mouret;
a devastating insolence and humor deployed, in particular, in a small Gallic village, whether in the costume of Otis in front of Alain Chabat's camera for
Asterix and Obelix.
Mission Cléopâtre
or to form with Gérard Depardieu the star duo of the adaptation of Laurent Tirard in
Asterix and Obelix.
For Her majesty.
Read alsoÉdouard Baer: “Theatre is the exact opposite of digital”
Édouard Baer is also a fanciful universe exploited in the theater (
La Folle et Veritable…
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