Two years ago, more than 140,000 spectators flocked to the Cité des Congrès in Nantes to celebrate the genius of Beethoven.
Fifteen days before the pandemic comes to put its lead on the cultural world.
After a 2021 edition staggered several times and reduced to a minimum (25 concerts only against 250 to 300 usually), La Folle Journée de Nantes made its big comeback this Wednesday in the city of the Dukes.
With gauges maintained at a maximum of 80% (the festival expects an occupancy rate of 70%), the removal of the kiosk, where amateur ensembles performed in the middle of the large hall, but also entertainment and all the exhibitor stands, and, finally, marked trails and spectators invited to come out as soon as the concert is over...
“The appearance of the Folle Journée had to be redesigned,
concedes René Martin, its director.
No question of taking the slightest risk.
However, the DNA is preserved, with nearly 200 concerts, a composer...
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